In keeping with the cubis style, the artist has tried to show inner qualities in portraits with the use of multiple well defined facets instead of a single frontal aspect. The paintings also show a stained glass effect similar to the Byzantine religious paintings, which the artist has adapted in a modern style with the use of religious icons that merge in with the forms depicted in the paintings.
The collection is a mixed one, with paintings and sketches done by the artist. The sketches which were done over a period, truly bring out the influence of the artist’s mentor, Thota Vaikuntam. Done in a sculpturistic style, they have well defined two dimensional lines that somehow contrive to create a three dimensional effect.