Geometry, Light & Shadow

 

Our digital world of ‘instant everything’, which is mostly mass produced, Paul Cooklin is drawn to analogue film and traditional darkroom printing. His preference for film over digital derives from the nostalgic and timeless ‘look’ of black and white film, with it’s tonal qualities and grain. He is also drawn to the rules of the negative and the traditional printing methods which he finds more rewarding due to the hands-on approach needed to make an individual silver gelatin print.
Cooklin’s body of work consists of an eclectic collection of prints, spanning various photographic genres which have featured in numerous publications, including TIME magazine and are represented by fine art publishers and galleries worldwide. http://www.paulcooklin.com/bibliography.htm  , http://www.saatchiart.com/pcooklinIn

Geometry, Staircase, Wimpole Estate

Geometry, Staircase, Wimpole Estate

Window Blinds, Felbrigg Hall, Norfolk

Window Blinds, Felbrigg Hall, Norfolk

Architecture, Liverpool Street, London

Architecture, Liverpool Street, London

Shadows & Geometry, Bury Saint Edmunds Cathedral

Shadows & Geometry, Bury Saint Edmunds Cathedral

Architecture, Venice, Italy

Architecture, Venice, Italy

Staircase, Fontevraud Abbey, Chinon, France

Staircase, Fontevraud Abbey, Chinon, France

The Courtyard, Fontevraud Abbey, Chinon, France

The Courtyard, Fontevraud Abbey, Chinon, France

Stairs, Wimpole Estate, Norfolk

Stairs, Wimpole Estate, Norfolk

Engine View, Mid-Suffolk Light Railway

Engine View, Mid-Suffolk Light Railway

Geometry, Chinon Bridge, France

Geometry, Chinon Bridge, France

Cromer Pier, North Norfolk

Cromer Pier, North Norfolk

Silhouette Selfie Château de Chinon, Loire Valley, France

Silhouette Selfie Château de Chinon, Loire Valley, France