Jason Anderson creates impressionistic views using pixelated patches of pastel-toned oil paint.

 Jason Anderson creates impressionistic views using pixelated patches of pastel-toned oil paint.

I started my art career working on restoration projects like York Minster, Gloucester and Wells cathedrals as part of a stained glass apprenticeship. I quickly progressed onto design work which taught me to compose and stylise subject matter around a ‘jigsaw’ of painted glass – an approach that still drives my work today.

I am fascinated by colour and work with a strong palette to create deep impasto effects with the paint.

I relish the often frantic nature of mixing and arranging the paint in thick impressionistic daubs, and submitting to a process that creates its own detail and form.
 
This forces me to be bold and decisive; it also produces a kaleidoscope of shape and tone (reminiscent of stained-glass) which portrays the ever-present movement and energy found in nature.

This approach creates a painting which, like the landscape, is constantly changing. So when you move around the room and the ridges of paint catch the light, there is always something new to see.

 

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