Tezi Gabunia is an artist-engineer. He calls his method Falsification, that is a reflection upon the basic features of the contemporary world, the absolute virtualization.
Contemporary visual language studies provides handling and creation of mediums that itself originates a new generation of art wich is a result of industrialized production, not creation. That also abolishes the artist as an original creator. The production process is completely industrialized, which makes massive production in a short time possible. In addition, One of the mediums of Tezi gabunia’s production is a language of virtual exhibition space.
Gallery is a space, where an artwork becomes eligible to exist in the context of art. Gallery is a context itself. Tezi Gabunia’s concept vanishes a distance between a viewer and art. Insertion of artwork in a casual space abolishes it’s primary meaning, but not only it looses the meaning, so does a gallery. An artwork, as an original phenomenon without context, creates exhibition spaces. It becomes a context itself.