Initiation, passage and ritual are the themes that drive my work in the early nineties, moving between the sacredness of the object and the culture of trash.
“I am a visual artist.” I come from the countryside and I love to see. For the universe juxtaposition or derision, my work feeds tensions in the world where man, as nature must survive to man. I explore the world of humanity without this memory that was already practicing rituals there a million years in the name of prophets long forgotten.
I work on small series that continue to evolve and decline the theme of the object. In practice I have the need to control the implementation of the independently as possible to be in a physical relationship with matter.