The history of civilization in each genesis was connecting art and architecture in a unique set of beautiful and useful. It is this synthesis that was the subject of my creations and sculptures. The motive of my sculpture is dedicated to the three elements, the first is time, second is life and the third is the modern art.Man’s eternal desire for knowledge of space and time as a phenomenon, is no longer dwelling on the borders of the earth, but was rushed for the discovery of new dimensions. The resulting division between the organic nature and desire to discover the unknown has led to modernization, but also to the isolation and depersonalization of man as an individual. The futuristic idea that breaks the connection with nature has isolated a man into impersonal glass cage of world capitals from which the only possible contact is with the mass consumer society. This idea of the pessimistic present, and probably the future, intrigued me to pay attention and to analyze in details a man as a phenomenon in the world of modern art and in the dominance of economic power.The spirit of time, a moment of reflection, eternal struggle of horizontal and vertical facades of modern buildings can be turned into associative, abstracted geometric sculptures. Research of lights and shadows in the mirror of modern art and architecture is achieved through an indirect observation of my sculpture. The dynamics of the sculpture is achieved by playing with directions of propagation of light and shadow. Visual survey of the unity of whole sculpture rests on three-dimensional problems without resorting to create unsustainable illusion.