MY ATTENTION FOCUSES ON THE AESTHETICAL ANALYSIS OF ORGANIC AND INORGANIC FORMS, CREATING ACRYLIC ON CANVAS PAINTED IN TEMPERA, A MICROFIGURATION,
like a code that is repeated endlessly. The final effect is a kind of hypnotic and kinetic net. A genetic code of art that seems drawn under the lens of a microscope, zooming in or out of details, achieving a perfect link between art and science, dreams and reality. My paintings have to be watched over and over again. They reveal and conceal at the same time unexpected visions that go from the inside to the outside and vice
versa. A reading that provides the perception of a continuous slip between the foreground and the background, light and dark, dark and light. The flatness of the paint surface at times opens gashes on which a centripetal and centrifugal motion acts. As we penetrate into matter, nature does not show us any isolated ‘basic building blocks’, but rather appears as a complicated web of relations between the various parts of the whole. The infinitely large to the infinitely small is the mirror image, everything is connected as the lace that my grandmother realized in the endless summer evenings while I watched the starry sky .