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I’m working with Ghanaian calendars because of the link it has with all Ghanaians and how Ghanaians respond to them at the time they are being sold, being bought, being used and being disposed of. What fascinates me is how hard it is for the lower economic classes of Ghanaians dispose of the calendars when time pushes the use of these calendars off track, the interest of the underprivileged in Ghana on calendars is heightened due to some of the interesting pictorial representations on the calendars that have a link in one way or the other to the owners or bearers of the calendars which is the main reason why I decided to use the images on the calendars with the help of a photographic medium to capture parts of the images on calendars as the influential element in the execution of my art works.